Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Giuseppe Pellizza da Volpedo
Broken Flower (mk19)

ID: 22378

Giuseppe Pellizza da Volpedo Broken Flower (mk19)
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Giuseppe Pellizza da Volpedo Broken Flower (mk19)


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Giuseppe Pellizza da Volpedo

Italian, 1868-1907 was an Italian painter. He was born and died in Volpedo, in the Piedmont region of northern Italy. Pellizza, considered a neo-impressionist artist, was a divisionist painter - using small dots of paints according to specific color theory. His most famous work is Il Quarto Stato ("The Fourth estate"). This rich, expressive work has become a well-known symbol for progressive and socialist causes in Italy, and through out Europe.  Related Paintings of Giuseppe Pellizza da Volpedo :. | Herbarium | Der Briefbote im Rosenthal | Portrait of Elizabeth P. Divova | portratt av lektor bjorkman, rektor lundberg och lektor borgstedt | Elvira |
Related Artists:
Mandyn, Jan
Dutch Northern Renaissance Painter, ca.1500-1560
Stettheimer Florine
American Painter, 1871-1944 was an American artist. She has been described as "a Deco-influenced early Modernist who??s never really gotten her due". Stettheimer was born in Rochester, New York to a wealthy family. She spent much of her early life traveling, studying art in Italy, Spain, France, Germany, and Switzerland. She studied for three years in the mid-1890s at the Art Students League in New York, but came into her own artistically upon her permanent return to New York after the start of World War I. In October 1916, the only one-person exhibition of her work during her lifetime took place at New York's Knoedler & Company. She exhibited 12 "high-keyed, decorative paintings", none of which were sold. Cushioned by family resources, Stettheimer refrained from self-promotion and considered her painting "an entirely private pursuit". She intended to have her works destroyed after her death, a wish defied by her sister Henrietta, her executor. Stettheimer's privileged position pervades her work. As one critic has written, "money she regarded as a birthright, decidedly not something to be flaunted in the shape of a dozen yachts, but rather to be used as a palliative against the more unpleasant aspects of the world outside
Franqois Balthazar Solvyns
1760-1824






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